Continuity Covering Action and Direction

Blog 4 Covering Action and direction continuity

Blog 5 (next week) Covering Script continuity


So continuity, what is continuity?

Well it is self explanatory. On a professional set a continuity persons (script/continuity supervisor) job is to watch the actions and listen to the words of the actors. They also do a great deal more, but I am going to address continuity with the actor in mind. The two main points to cover in my experience are :-

  1. To make sure you, the actor is saying the right words in the right order every time. (Basically exactly what is written down on the script) (Blog 5)
  2. To get the actions to correspond with the script or direction given.

Why?

Because when we come to editing and I will try and give you a simple example to start with.

If we start with a wide shot in the editing suite and you are holding a cup in your right hand in which you are wearing a ring and a watch, and you put it down on the table in front of you and let’s say we want to go in on a close up on a different shot but in this shot you’re using your left hand without the watch and the ring, this means we would have to use the long shot or close up all the way through which probably lessens the impact of the shot.

You are probably saying now this would not happen to me, but it happens to every actor at some point in their careers. That is an obvious example, but there are many simple mistakes in continuity and also so many silly mistakes so please be aware of all your actions.

I think actors are unaware of all the takes that are taken on set in many different angles and places, and sometimes they can become complacent especially when we are on the 23rd take and the camera has now moved onto another actor, but you are still in the background. Somehow they don’t think they can be seen but it is still vitally important that you still carry out all directions and actions at the right time in the right place every time.

A couple of weeks ago I was shooting with a cast of young students from the age of 12 to 14 years. This I knew was going to be difficult, because I was doing the camera work and sound I couldn’t keep an eye on continuity. I had a student who had to get up and go over to another student and pull her hair. I had a number of difficulties in the fact that sometimes she walked over to the left of the student and then others to the right, not only did she do this but the girl in question was moving her head in different directions in every take. Not a good environment. So when I wanted to use a different edit the girl was not in the same place to where I  wanted to join both the takes, so a lot of that footage was not used. However I did get something I was happy with in the end but it probably took me much longer.

The students are learning still so they don’t know how important this is but hopefully they will read this 🙂

Simple examples and tips below.

We are looking at a shoot for one scene. The scene usually takes place on the same day in the actual film itself  but could be filmed on a number of different days hence why continuity has to take priority!

Dress:
Must be the same clothes in one scene (unless you have to change). One scene maybe shot on different days. Make sure you have the same outfit with all the bits and pieces. Take a photograph.

Hairstyle:
Has to be the same. Take note ribbons and hair clips same side of the head and same colour.

Make up:
Same lipstick, eye shadow etc.

Shoes:
Must be the same

Nail varnish:
If you are wearing any, make sure you have it on all the time. (Don’t change the colour!!!)

Hat and gloves.

Tie.

Props:
Remember your props.

Jewellery.

Sit down and make a list of everything. As you go from location to location tick everything on your list. Take it with you!

Take a photograph of all the above.

Just to mention here facial hair and hair cuts for men.

Obviously try and maintain the same look. We did a scene recently where we had to film the same day in the film weeks apart. This was not a problem with the ladies but one young man, his hair had grown so much. I looked back on my continuity pictures and was very lucky to have had a hairdresser on set that day who she trimmed it, but it would have certainly looked out of place. It always makes our jobs easier if you are involved too and I would be really happy if you were coming to me and questioning it because it helps, it really does.

I am just covering a one camera shoot. There are many multi camera shoots i.e soaps. Continuity is still important but obviously the issues and complexities are going to be a lot less.

As I said earlier there will be somebody in charge of continuity, but it is best that you keep your wits about you also because mistakes are made. We don’t have luxury of having a continuity person every filming session so we have had to educate the actors in everything to do with continuity. I am very proud of how they have mastered this and more times than ever now I am not having to check. It can get a bit scary when you are managing over twenty actors and moving locations on different days although it is the same day in the film. As you can imagine it can become quite complex. They are now exceptionally good with dress and props but I am not going to say anything else! (Don’t want it to go to their heads to much. :))

Anyway as I have said before this is based upon my experience only.

Again I wish you all the luck in the world:)

Alyson.

Author: admin

I started out young in the film and TV industry, being cast in Dennis Fisher toy commercials at the age of 8-10 years. My mother enrolled me in dancing, ballet, tap, drama, singing, piano lessons and extremely busy after-school activities from the age of 4. But my main interest was acting and pursued in joining the West Riding Youth Theatre and Bradford Youth Players in my teens, which I enjoyed immensely. At the age of 18, I opened a performing arts school with my mother called Stage 84 and headed the drama department for 10 years, teaching speech and drama, Trinity Guild Hall exams and entering children for speech and drama festivals. During this time, I trained Amy Walsh, Kimberly Walsh, Sally Walsh, Lee Otway and many other students who successfully went on and had careers in the performing arts industry. In 1994, I opened my own school, Northern Film and Drama and the philosophy behind it was to make films and at the same time train children and teenagers to act in them. My first film, Victim, which was about school bullying won the Scarborough Film Festival for best newcomer and went on to be shown on Channel 4. My next film, Past Memoirs, with an appearance from Amy Walsh went on to Meridian TV. Many other films have followed. Becoming 8 was a final film selected for the London Short Film Festival. Julia Juliette, 2015, got to the final selection in the South Carolina Film Festival. My latest film is called Sweet Sam, and will be entered for numerous festival throughout the world. Other children trained by me to name a few include Jessica Barden (Mrs Radcliffe's Revolution, Coronation Street, The Lobster, Far From The Madding Crowd), Sam Jackson (Skins), Daniel Pearson (Vera, The Dumping Ground, Emmerdale) and most recent Colson Smith(Coronation Street). My teaching methods are completely the opposite to what you teach for the stage. They are loosely based on method acting, but with my own unique twist. I live for teaching and directing children and young teenagers, and enjoy seeing them grow into confident, talented young people of tomorrow.

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